We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Arcadia

by Richard Shirk

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $5 USD  or more

     

  • Record/Vinyl + Digital Album

    The LP version of 'Arcadia' is limited to 300 copies, includes numbered lyric sheet, download card, and is printed on far-out, gorgeous translucent blue vinyl.

    Includes unlimited streaming of Arcadia via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 300 
    Purchasable with gift card

      $8 USD or more 

     

1.
Arcadia 02:43
ARCADIA (Shirk) Come on, bear witness to me On the way back from your house At 100 miles-per-hour Driving with my eyes closed There’s something all around you There’s something all around I knew you’d listen to me I’ve got a murmur in my heart I give myself a headache often From listening to you so hard But I’m still optimistic It’s a flaw that I’ve got I’m sleeping with the windows open I’m dreaming with the lights on There’s something all around you There’s something all around Arcadia
2.
THE GOAL KEEPS MOVING (Shirk) We burn a candle for the pilots Who circle so high, undecided I hope that they can see what we can see Stay awake you have the feeling We're looking for but never reaching What we dream of, oh, when we dream The Goal keeps moving away from me The end is miles and miles away from me We tried to break up all this silence With lingerie and empty eyes Motorcycles droning sleeplessly We fold our arms you know we tried Place a coin upon each eyelid Highway sounds will lull us right to sleep The Goal keeps moving away from me The end is miles and miles away from me
3.
OLD SUBURBAN HOUSTON (Shirk) Trust me, I know what you’re thinking Can’t of helped but think of it first Back in Old Suburban Houston We were the only ones left on the Earth So why is it I Am on my way back Home?
4.
Alarms 04:17
ALARMS (Shirk) I know all there is to know I say as you applaud There is more to this But not much more than what you’ve got And all that other stuff, you know Is just some cheap mirage Reach out, your hand will pass through What you thought that you wanted I’ve been everywhere there is to go I say as you applaud I threw a line away last Monday Without second thoughts Now I’ll put back on my pin-stripe suit and tie And play the ukulele Like a man who knows he’s dying So hold on Now they're sounding the alarms So hold on
5.
INNER STAR WARS (Shirk) Let them hear you talk Let them interrupt us Tell us about another plane (place/ vale) We will see there are no walls We will find everywhere We will find that nothing is separate Let it all go You and I are stardust Let us belong to the Hidden Vale
6.
PRISONERS OF ZENDA (Shirk) I was seventeen (the wrong kind) I had a Ouija board connection You wore a Mohawk Only in your mind I was the computer punch-card inspector What we buried in the backyard Can only dig up on the Equinox And now we’re here Through the Window Now we see Through the Window Some will go, some will stay Beyond
7.
SECRET POLICEMEN (Shirk) I know I’ll never go back I know I’ve got them right where I want them tonight And I love the hands you hold behind your back And I know that even in crowds, still very in love I know, they’re turning something into nothing I know, the door is locked from the outside I know, without a single introduction The Secret Policemen’s waiting for a sign Still Waiting
8.
THE LINE BETWEEN (Shirk) Now I can see Now I can see the lines between
9.
HOW TO DANCE HOW TO WALTZ (Shirk) I close my eyes when I talk When I sing, when I sleepwalk We will meet you beyond On astral plane, an astral palace In a city of spires (spies) Past the Square, past the beehive We will learn how to waltz How to dance How to sleepwalk All the workers, we start to arrive And we start to dance Start to waltz in a reverie While keeping in time We are holding the trance alive (aloft) And we start to dance, start to waltz
10.
At Esalen 01:50
AT ESALEN (Shirk) Oh, Angela, my psychedelic porcupine When I’ve heard enough I can talk to you And once (waltz) outside My psychotropic alibi Oh, how I run thru your Fields of View At Esalen In the crowd and all along Oh, how I’ve known I am on to you.
11.
COME ON BACK TO HOUSTON (Shirk) Come on back to Houston Come on back, My Love Come on back to empty spaces Butterflies and dust
12.
TIGER IN THE SHADOWS (Shirk) .. ....... .-- .. .-.. .-.. ....... -- . . - ....... -.-- --- ..- ....... --- -. ....... - .... . ....... .- ... - .-. .- .-.. ....... .--. .-.. .- -. . And I see what you see The difference, the difference between us And I have seen, I’ve seen what you see I’ve seen it, seen it in my dreams Tiger, Tiger in the shadows .. ....... .-- .. .-.. .-.. ....... -- . . - ....... -.-- --- ..- ....... --- -. ....... - .... . ....... .- ... - .-. .- .-.. ....... .--. .-.. .- -. .
13.

about

A bit about Arcadia

Richard thought of this album (his 2nd from the former Soft Tags leader) as a collection of eclectic pop songs about escape - from small towns (‘Arcadia,’ ‘The Goal,’ ‘Secret Policemen,’) to the stars (‘Prisoners of Zenda,’ ‘Come on Back to Houston,’ ‘Old Suburban Houston’), and out from underneath the confines of conventional attitudes towards the supernatural (‘Inner Star Wars,’ ‘Tiger in the Shadows).

Throughout, Arcadia still rings and chimes with Richard’s trademark spooky guitar tone, spectral voice, and the fingerprints of a childhood spent with pulp science-fiction and a dusty pile of records and warbling tapes by the Cars, the Ramones, and the Fall.

With far out themes, undeniably catchy hooks, and spooky vibe, Arcadia by Richard Shirk listens through like a college radio chart countdown in the Twilight Zone.

credits

released October 25, 2019

Arcadia Infinity/300


Richard Shirk – Words, vox, gtrs, kbrds, drum machines, bass, saxoflute,
spooky tubes, bow gtr, morse code, wine glasses
Susan Chrzanowski – Various vox, keys, glock on Arcadia, Esalen, Star Wars, Old Suburban, Zenda, Tiger
Ric Walz-Smith – Gtrs & bass on The Goal, Alarms, & Sleep Studies
LJ Simpson – Bass on At Esalen, piano on How to Dance How To Waltz

All songs recorded, engineered, mixed, produced at Reclusive Studios,
Oakland, CA in 2018-2019.
The Goal, Alarms, & Sleep Studies recorded at Blue Room Studios, Portland, OR. Mastered by Gus Elg at Skyonion Studios, Portland, OR.
Gina Mulvey kindly provided the Spanish translation of How to Dance.

Thank you:
Sooz, Gina, LJ, Ric, Rand & Lisa, Jim C., Ed, Art, KMA, Tanner, 2nd Line, Gus, Jorrit & Pepper, Gavin, Dana, Adam, Tracy & Scott, Christian, Kiisu, Prids, Bennett & Co., Matt (RIP), Bee & Bubs, Bob, Jean, Ira at WMNF, Evan at WFMU, WRIR, & former Soft Tags/ Beta/ Empire Show everywhere. Ad Astra.

Contact Richard - richardshirk.bandcamp.com / richardshirk2020@gmail.com

license

all rights reserved

tags

about

Richard Shirk Oakland, California

Before you agree that streaming music killed the cult band, consider the strange tales told by Oakland musician Richard Shirk. Sounding like college radio at one a.m. circa 1982, Shirk’s concise, and vivid songs have one foot firmly planted in the realm of the 3 minute (or less) indie single and the other in a used bookshop somewhere in the Midwest browsing through vintage Bradbury paperbacks. ... more

contact / help

Contact Richard Shirk

Streaming and
Download help

Redeem code

Report this album or account

If you like Richard Shirk, you may also like: